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Colour Mixing for Students

Archival Series 1 has a complete mixing palette of affordable colours, which are highly pigmented and permanent and much more satisfying to use than traditional all-one-price student-grade paints.

Art Students are usually given a suggested colour list when they start out and the list usually has Cadmiums and Cobalts on it which are too expensive for beginners. Many beginners use the cheaper one-price ranges which offer ‘Cadmium Hues’ to make the list affordable.

For those who decide to use professional artist quality paints with their stronger pigments we suggest the following Archival Oil colours to best serve your budget and provide a balanced palette. The list has the bright colours: a warm and cool of each primary colour and 3 secondary colours plus some extra choices.

Mixing Palette

  • Opaque Opaque
  • Semi-transparent Semi-transparent
  • Transparent Transparent
  • Très fort pouvoir couvrant Très fort pouvoir couvrant
Titanweiß
Titanweiß
Opaque
1. Titanium White or Fast White if you want your painting to dry fast.
Arylamidgelb Hell
Arylamidgelb Hell
Semi-Transparent
Arylamidgelb Dunkel
Arylamidgelb Dunkel
Semi-Transparent
Orange
Orange
Semi-Transparent
Naptholhellrot
Naptholhellrot
Transparent Opaque
Cramoisi
Cramoisi
Semi-Transparent
Pourpre
Pourpre
Semi-Transparent Opaque
Pthalo-Grün
Pthalo-Grün
Transparent
Cöelinblauton
Cöelinblauton
Opaque
Kobaltblautönung
Kobaltblautönung
Opaque
Pthaloblau
Pthaloblau
Transparent Opaque
Bleu Outremer
Bleu Outremer
Transparent

(Note: Both 11 and 12 are necessary. 9 and 10 are useful but not vital.)

The “earth” colours, Yellow Ochre, Light Red Oxide, Burnt Sienna, the Umbers etc are all in series 1 (S.1.) and you will eventually develop your own preferences. Transparent Red Oxide is a very bright transparent modern addition to these muted colours which have a long tradition. You may also consider exploring Green Black, Red Black and Blue Black or the more traditional Paynes Grey.

Earth Colours

  • Opaque Opaque
  • Semi-transparent Semi-transparent
  • Transparent Transparent
  • Très fort pouvoir couvrant Très fort pouvoir couvrant
Ockergelb
Ockergelb
Opaque
Ocre Rouge Claire
Ocre Rouge Claire
Opaque
Siena Gebrannt
Siena Gebrannt
Semi-Transparent
Umbra Gebrannt
Umbra Gebrannt
Semi-Transparent
Umbra Natur
Umbra Natur
Semi-Transparent
Ungebranntes Siena Dunkel
Ungebranntes Siena Dunkel
Semi-Transparent
Rotoxid Transparent
Rotoxid Transparent
Transparent
Noir Vert
Noir Vert
Semi-Transparent
Noir Rouge
Noir Rouge
Semi-Transparent
Bleu Noir (Indigo)
Bleu Noir (Indigo)
Semi-Transparent
Noir Marron
Noir Marron
Semi-Transparent
Payne's Grau
Payne's Grau
Transparent

There are many ways to approach colour mixing. The best policy is to follow closely whatever pathway your teacher uses until you develop your own understanding and can mix the colours you need instinctively.

Explanation of Some of the Technical Terms Used to Describe Colours

  • Transparent colours are used in glazes, because when diluted they are ‘see-through’, revealing whatever lies beneath.
  • Opaque colours have high ‘hiding power’ and are mainly used in ‘mass tone’ which means the ‘full strength‘. Opaque colours are not transparent when diluted.
  • A strong transparent colour also has ‘hiding power’ when used in mass tone and makes strong tints when added to white and is transparent when diluted.

It is wise to add small amounts of colour to white paint until you get used to the differences in strength. Opaque and semi opaque coloursare never as strong. Semi opaque, semi transparent mean the same thing, half way between in character. If you make a sample board of the colours you are using and simply squish them with a palette knife you can see the character of the colours.