To describe him as a visceral painter is to suggest that Walker is involved in the landscape in a physical way. His paintings involve us, the viewers, in a very physical way. His paintings are about seeing - they embody an ever-present sense of curiosity and responsiveness. Yet they are also about feeling, what it is like to be there. Like all truly authentic landscape art we feel that the artist has experienced things, and he points them out, yet it is nature itself that speaks to us, both of its presence and its strangeness.
Extract from essay by Andrew Sayers
Utopia Art Sydney, 2 Danks Street Waterloo NSW 2017. Ph: 02 9699 2900 Fax: 02 9699 2988
Fence Painting.
Tallaganda Ridge III.
Tallaganda Ridge Climb.
The River at Bombay.
Brush Fetish.
Walking Quilty’s Red Ground.
Pines.
Horizon.
Mirror.
Four Hills.
A Gully in two. (Portion B).
A Gully in two. (Portion A).
A Walk Around Gill.
Anonymous Woman.
Bedervale Gullys. Apr 2004.
Bedervale Gullys. Feb 2004.
Bedervale Gullys. Mar 2004.
Bedervale Ridge I.
Bedervale Ridge II.
Bedervale Ridge III.
Bedervale Ridge IV.
Untitled 1.
Drought Painting I.
Dry Land Painting.
Dryland Cows.
Hawthorns.
Bedervale Erosion Gully.
Untitled 2.
Untitled 3.
Untitled 4.
Untitled 5.
Paperbark.
Quaternary Gully I.
Quaternary Gully II.
Quaternary Gully III.
Red Gully.
Road to Bedervale.
Standing figure. 1992.
The dry dam.
Travelling South.
Untitled 6.
Untitled 7.