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Cut through the Fast Talk on Slow Acrylics

Clearly there is something important going on about the drying time of acrylics, but the discussion in some case does not give fully accurate information, or help the user to choose between competing products in this new category.

Standing apart from this “me-too” bandwagon is Interactive and Golden “Open.” Open really is different, and is very slow drying. It should be ideal for special needs such as alla prima plein air painting but “Open” can only be used for slow techniques, and should not be confused with Atelier Interactive, which can be used for slow and normal fast acrylic techniques.

Atelier Interactive is the first real tried and tested advance on acrylic artists’ paints since they were first developed back in the 1960s. This revolutionary acrylic does not form a skin permitting the paint to be rehydrated even after it has become touch dry.

The real starting point of this trend was 2003 when I invented Atelier Interactive, which was subsequently put on the market in 2005 and Chroma holds a patent pending on its formulation.

In 2005, Atelier Interactive replaced Chroma’s ordinary artists’ acrylic called Atelier in Australia and New Zealand. It was designed as an improvement to ordinary acrylics, not a complete departure from them. Atelier Interactive is not a slow drying paint; it is a universal use paint, which the artist can easily control so that it dries either quickly or slowly.

Atelier Interactive performs well as a fast drying paint, and many people choose acrylics because they are fast drying, yet when a fast drying paint “controls you”, and won’t let you extend the open working time when you need more time to finish what you are doing, it is a great advantage to be able to use the “slow” side of Atelier Interactive’s “character”.

Because it is easy to use either fast or slow, there are fast painters who use the slow side occasionally, and there are slow painters who set themselves up for progressive slow painting sessions with extensive blending, like with oils, except that at the end of a session the painting can be dried out rapidly if necessary.

By simply adding water to your paint brush or spraying your canvas, you can extend your wet blending time indefinitely during a painting session. The next day, or even days after, if you choose to continue with your wet-in-wet blending, simply use our Unlocking Formula.

My personal experience extends over 5 years and public use covers 3 years, which means that it is very worthwhile to download the how-to-use information we have accumulated from actual use over this period.

Interactive Basic Information Sheet

Thick Slow Medium (for a more impasto style) and Slow Medium (for a more thinned syle) have been specially designed for this product line. Both dramatically extend the workability of Atelier Interactive.
Many questions have already been asked and answered about Atelier Interactive.

You can find more information by reviewing our FAQs or signing up for Chroma Link. A video demonstration is also available for viewing and does a terrific job of showing how Atelier Interactive works.

Chroma Link

Common Interactive Questions Paint Talk Topic

Interactive Demonstration Video

There are (3) Comments so far, why not join the discussion?
  1. comment_1_5959 Jan Blencowe Clinton, CT, United States of America. 07 Aug 2008

    "Universal" is a great way to describe the interactives. I paint very quickly, and like to use both wet in wet techniques for soft edges and glazing for atmosphere and have no problem doing either in a very short amount of time with the interactives. I usually start with a thin underpainitng using the fast medium, then go to paint straight from the tube using the clear painting medium if I need to thin the paint, for atmospheric passages I make a glaze using fast medium and then finish with juicy strokes using the thick slow medium. The result is very much like an oil painting that would have taken weeks to achieve, but now I can indulge my impatient nature and work quickly throughout the whole process. I Love it!

  2. comment_2_5959 Shanipants , , . 15 Aug 2008

    I haven't used Golden's "Open", I have used Golden with slow dry medium and found that it does not compare to the Interactive paint's ability to be reworked by wetting it. I used the thick slow and slow mediums from Chroma with Interactive paint at a demo given by Jennifer VonStein and I was really pleased with the open time of the slow mediums. You can definitely use too much slow medium, but it was a joy to actually have to wait a while for the paint to dry.
    I am going to be participating in the student trials this semester and I am very excited to see if I am fully able to transition from oils to acrylics for portraits. I have typically used acrylics for more abstract work or for graphic or illustration work, but I am hoping the ability to open the paints back up will allow for the extensive blending I am used to doing with oil. If anyone is painting portraits with Interactive please post them!

  3. comment_3_5959 Jennifer Lititz, PA, United States of America. 22 Aug 2008

    Jan - your paintings are always so lovely. Thanks for your tips on using the mediums!

    Shannon - I'm excited that you're going to part of our Trial this year, especially with your interest in portraits. I worked on a portrait last weekend, and boy, did that show me that I needed to do more of them consistently! I know an artist that works with Interactive for portraits. Her name is Joanne Castelli-Castor and her website is catellicastor.com

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