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Colours for skin tones vary immensely between the home value of a person’s skin, areas of high light and shade and subtle changes in colour around various parts of the body. When painting skin it’s very common to find that you use a lot of different colours.
As these are perennial questions we thought we’d start off a discussion because there are many different skin colours ways to produce tones for skin. One person’s recipe is different from the next.
During the year Chroma has supported the National Art School in Darlinghurst, Sydney, in various ways. As it has done for many years, Chroma joined other businesses and patrons supporting the art world, by offering a painting prize to a graduate at the end of year Degree Show.
Hanna Paine won the Chroma Paints Award with a triptych, one of her works exploring the mystery of experience from a child’s perspective.
Earlier this year Chroma ran an art competition in conjunction with The Art Scene. Competition entrants had to use Atelier Interactive, Jo Sonja’s, Archival Oils or A2 brands of Chroma paint in their works. The competition ran throughout the year and closed on 30th November 2009.
Vicki Nicholson sent us in this innovative "altered art" project and we liked it so much that we created a magazine ad based around it. Vicki also agreed to share the entire step by step project with the Paint Talk community. I hope that this piece inspires you all to get creative with Jo Sonja’s paints and mediums and if you follow the steps below and complete your own “creative canvas” why not add a comment with a photo of your work.
Earlier this year we asked a number of decorative artists to send us images of their work to share. Ideas and inspiration come from many different areas in life and an artistic community is so important in keeping motivation going. Greater exposure to decorative art objects and images from other artists opens us up to different techniques. Here at Chroma we are attempting to create an artistic community for artists to take part in. Expression and inspiration is a constant quest for learning new things.
Chromacryl has long been Australia’s favourite brand of school paint. This has been largely due to its high quality and relatively low price. However here at Chroma we are always looking at innovative ways to improve our paints. Even our well established and highly successful brands need an update from time to time so that they can continue to lead the market.
Over the past year we have been working on improving the quality of Chromacryl.
Chroma is considering changes to the color range of Atelier Interactive and Archival Oils. For some colors, the pigments are no longer available. We also have received a number of requests for additions to the line, and in order to accommodate these requests, some less popular colors would be discontinued.
One of the issues with acrylic paints is the change in tonal values when they dry. With most modern artists quality acrylics wet to dry colour shift is less noticeable than it used to be, but it still exists and has to be dealt with. Some acrylic brands claim to have very minimal or even no colour shift at all but unfortunately it is still there. With old style acrylics the strategy is to paint lighter than your eye is telling you, and then darken the area slightly with a glaze after drying.
If you would like to add a comment about your experiences with colour shift please post it below.
JoSonja Teaching Artist Betty Dowe recently submitted the following article about how she uses JoSonja on glass vases. Her work is beautiful and her techniques are fun!
I have taught Norwegian Rosemaling and stroke work for 29 years. I enjoy using Jo Sonja acrylics because I am able to add various mediums to color for glass and even fabric. After 11 years of painting with oils I had to change due to allergies
It is with great sadness that we have to advise you that Keith Norris passed away on the 11th of August from a heart attack.
Keith has a long history with Chroma so many of you will have met him during some of our teacher events over the years and will recall his wonderful sense of humour and the expertise with which he conducted his workshops. He was a great artist and a very generous and kind man who will be much missed by everybody who knew him.
Our thoughts are with his wife Wendy and their children, Peter and Emily at this sad time.
If you would like to leave a message of condolence for Keith’s family please add a comment below and we will pass it along.
Jim Cobb